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In this abstract portrait, Freytag-Loringhoven does not attempt to present a likeness of the artist, the target for her unrequited love, but instead presents an assemblage of found feathers and other detritus to hint at Duchamp's essential nature. She wrote to Jane Heap, one of the editors of The Little Review , "cheap bluff giggle frivolity that is what Marcel now can only give.

What does he care about ' art '? He is it. While Duchamp did not return the Baroness' romantic advances, the anti-mimetic portrait suggests an ongoing collaboration and dialogue between the two artists.

Irrational Modernism: A Neurasthenic History of New York Dada | Jacket2

An earlier, painted portrait of Duchamp with two of his readymades, as well as the artists' collaboration for The Baroness Elsa Shaves Her Pubic Hair , show just how connected the artists were in their lives and work. However, until the recent interventions of feminist art historians, Freytag-Loringhoven had more often been regarded as a muse than as Duchamp's equal.

The curtain tassel which hangs within the core of Limbswish 's metal spiral was sometimes worn at the hip by the Baroness as she paraded about in the streets. The object was itself a kind of performer, making a distinctive sound as the Baroness walked. Limbswish demonstrates the artist's interest in making kinetic objects that have a corporeal component. Even when mounted to a wooden base, Limbswish appears bouncy, the coiled spring dangling like an earring.

As Irene Gammel suggests, the work may also subtly refer to the Baroness's own gender transgressions, as the term "swishes" was used to describe some gay men who publicly referred to themselves as "fairies. Works such as Limbswish assert that a woman could be provocative rather than passive. Frequently described by her male peers as repulsive and threatening, "she also functioned as a site of violent projections.

She was thus a figure who pointed to the limits of avant-gardism as such. Abbott met Freytag-Loringhoven in New York in and was taken with the artist's performative transgressions. Abbott said of her friend, "she invented and introduced trousers with pictures and ornaments painted on them. This was an absolute outrage Elsa possessed a wonderful figure, statuesque and boyishly lean. I remember her wonderful stride, as she walk[ed] up the street toward my house. Rich with references to Abbott's appearance and life, Freytag-Loringhoven's portrait captures her close personal relationship with Abbott.

Freytag-Loringhoven's dog - who purportedly had a particular fondness toward Abbott - is pictured in the bottom of the canvas and a handlebar mustache on Abbott's face serves to represent her androgyny. The portrait showers Abbott's image with adornments, including a brush with a white stone, a brooch, and gold-encrusted eyelashes.

Gouache, metallic paint, and tinted lacquer with varnish, metal foil, celluloid, fiberglass, glass beads, metal objects, cut-and-pasted painted paper, gesso, and cloth on paperboard - Museum of Modern Art, New York. Content compiled and written by Laura Hillegas. Updated and modified regularly. By using our site, you agree to our terms , and usage of cookies. GOT IT! The Art Story. Artworks by Baroness Elsa von Freytag-Loringhoven The below artworks are the most important by Baroness Elsa von Freytag-Loringhoven - that both overview the major creative periods, and highlight the greatest achievements by the artist.

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Assemblage of miscellaneous objects in a wine glass. Limbswish c. More filters. Sort order. Apr 22, Jonathan Frederick Walz rated it liked it. I think this book is important and fairly interesting; I do. I consider myself a feminist, but I could only read portions of chapters here and there because of the overpowering and wearing rhetoric not unlike beating a dead horse.

It is obvious that the author conducted much research, but I felt frustrated that in presenting her model and theory, it never seemed that there was a deep understanding of time or personnages.

Baroness Elsa von Freytag-Loringhoven Artworks

Why is a text by Anais Nin considered relevant, other than it is from the I think this book is important and fairly interesting; I do. Why is a text by Anais Nin considered relevant, other than it is from the same time period? How can the geometry book-wedding present to Suzanne be the first readymade when it is also later claimed that "Bicycle Wheel" carries that distinction?

Duchamp, Picabia, and Man Ray are singled out for not fighting in the Great War, which is true, but there were other non-combatants who played a role in New York dada, including Joseph Stella, Marsden Hartley, and Charles Demuth, just to name a few. It seems like by just focusing on three men and ok arguably the "most important" contributors that the argument becomes a bit forces. This is the first time I read the entire book from start to finish; I will admit that for my dissertation I only read the sections that were relevant for the objects I was discussing.

That said, at times the ideas and subsequent manifestation in text seemed rushed or sloppy. This was not helped by strange evidence, such as relating to the reader that the author "has been told" that men frequently look at each other's genitals when pissing next to each other at urinals, or off-base observations, such as, in a discussion of Demuth's watercolor "At the 'Golden Swan'" she states that Demuth and Duchamp, who are seated in adjacent chairs, "fac[e] each other as if for self-protection in this dynamic but to them alien environment.

All of this said, the book reproduces some long-lost work and other interesting images though some less obvious clunkers, too and for that reason alone should be required reading for dadaists. Just take much of it with a grain of salt Alexandria Schultz rated it liked it Nov 04, Ryan Ananat rated it really liked it Nov 19, Rach rated it really liked it Aug 31, Fluffy Singler rated it really liked it Dec 28, Alexander rated it it was amazing Jul 27, Sunita rated it it was amazing Jul 10, Emma Bowman rated it it was amazing Mar 13, Chavaleh rated it liked it Aug 25, Annie rated it it was amazing Nov 24, Mark rated it really liked it Mar 31, Stacy rated it liked it Jul 24, Beth rated it it was amazing May 05, John rated it really liked it Feb 20, Minkyung Kim rated it really liked it Jul 30, Rob Same rated it it was amazing Apr 13, Erica rated it it was amazing Aug 02, James Denison rated it liked it Dec 14, Michael rated it liked it Sep 14, Tero Nauha rated it it was amazing Dec 30,